About Ken Price

Ken Price is one of the most important sculptors to have emerged in Los Angeles in the past 50 years. Born in Los Angeles in 1935, Price grew up near the beach and spent his adolescence surfing nearly every day. The son and grandson of inventors, he was raised in an environment that encouraged his creative interests, leading Price to identify as an artist from an early age.

Price received a B.F.A. from the University of Southern California in 1956 and studied briefly with Peter Voulkos at the Los Angeles County Art Institute (now Otis College of Art and Design) before receiving an M.F.A. from the New York State College of Ceramics at Alfred in 1959. Returning to Los Angeles, Price joined the stable of artists at the legendary Ferus Gallery, quickly establishing himself with several successful solo exhibitions.

As Peter Schjeldahl noted in an article for the New Yorker, Price’s development as an artist has always been on his own terms: “Price emerged in the 1960s as the brilliantly contrary student of Peter Voulkos…Price eschewed Voulkos’s virile expansiveness to work small, making exquisite egg shapes that sprout erotic, worrisome tendrils. He proceeded to develop abstract variations on cup, teapot, and vase forms with faceted asymmetrical compositions, glazed with primary colors, that are like pocket distillations—which turn monumental in memory—of modern style from cubism through De Stijl to minimalism.”

Price also steadfastly refused to illuminate the meaning of his work, preferring instead to allow the art to speak for itself. At a talk he gave in 2005 at the Chinati Foundation in Marfa, Texas, Price was quoted saying, “I can’t prove my art’s any good or that it means what I say it means. And nothing I say can improve the way it looks.”

Price’s meticulous approach to object-making and his penchant for vibrant colors and unorthodox application methods marks him as a seminal Los Angeles artist, alongside Billy Al Bengston, Robert Irwin, Ed Ruscha, Larry Bell and Craig Kauffman.

Ken Price died on February 24, 2012, at his home in Arroyo Hondo, New Mexico, just outside of Taos. He has exhibited widely and has work in many public collections, including the Los Angeles County Museum of Art, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, and the Victoria and Albert Museum, London. Ken Price was featured in several Getty-sponsored “Pacific Standard Time” exhibitions in 2011-2012. At the time of his death, Price was working on a 50-year retrospective of his work for the Los Angeles County Museum of Art. “Ken Price Sculpture: A Retrospective” ran at LACMA September 6, 2012 – January 6, 2013, and after traveled to the Metropolitan Museum of Art, New York.

Ken Price, Variant, 1986
Ceramic, fired and painted clay
small: 5.75 x 4 x 3.5 inches (14.6 x 10.2 x 8.9);
large: 7 x 5 x 5 inches (17.8 x 12.7 x 12.7 cm)

Ken Price, North of El Prado, 1993
Earthenware with hand-painted glaze
4/10 AC
3.25h x 5.50w x 4d in
8.26h x 13.97w x 10.16d cm

Ken Price Lorna’s Lagoon, 1981
Watercolor & Xerox print on paper (2/3)
5.5 x 4.25 inches (image)
11.75 x 8.5 inches (sheet)

Ken Price Lorna’s Lagoon, 1981
Watercolor & Xerox print on paper (2/3)
5.5 x 4.25 inches (image)
11.75 x 8.5 inches (sheet)

Ken Price, Lorna’s Combat, 1981
Watercolor & Xerox print on paper (1/4)
4.50 X 4.25 inches (image)

Ken Price (1935-2012)
Tona Bowl, circa 1976
Glazed & painted ceramic
4h x 6.75w x 6.75d in
10.16h x 17.15w x 17.15d cm

Ken Price (1935-2012)
Untitled (Mezcal Cup on Square Base)
Glazed & painted ceramic 2h x 2.75w x 2.50d in
5.08h x 6.99w x 6.35d cm

Ken Price, Village Cup, 1972-1977
Glazed & painted ceramic
3.25h x 3.75w x 2.75d in
8.26h x 9.53w x 6.99d cm

Ken Price, Mezcal Cup (Bill Buckner, LA Dodgers)
Glazed & painted ceramic
2h x 2.50w x 1.50d in
5.08h x 6.35w x 3.81d cm

Ken Price (1935-2012)
Untitled (Mezcal Cup / Jeep)
Glazed & painted ceramic
2h x 3w x 1.75d in
5.08h x 7.62w x 4.45d cm